SUSANNE S. D. THEMLITZ

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Navigation überspringen
  • 2026 The Listener
  • 2026 Entre Seres Laboratory
  • Entre Seres (Display Cabinet) 2026
  • 2025/26 Natural History
  • 2025 Zwischen Wesen - Labor
  • 2024 The Silent Beside
  • The Amber Room MARCO Museum
  • The Language of Silent Things 2024
  • Transformatory (Drawing Laboratory)
  • Inside.Suspended. 2024/25
  • The Intermediate Space 2024
  • Bienal de Coimbra
  • Still/Home
  • Poems 2023
  • 2022 Entre
  • Inside
  • 2022 Transformatory
  • Bijou
  • The Middle Room
  • 2021 Drawing Laboratory
  • Far 2020
  • 2019 Matjö Raum für Kunst Köln
  • 2019 El Silencio cerca de la línea
  • Shadows 2016
  • Ese paciente laberinto 2015
  • The Dormouse Is Asleep Again 2014
  • Papillon 2013
  • Dyssomnia2012
  • Entre el Tiempo
  • The State of Drowsiness
  • Parallel Homeless Landscape
  • 4 Container
  • Drawing Laboratory
  • Silence
  • Zeit Paradies / Paraíso Público
  • Private Panorama
  • Submerged
  • Of Subterranean Life
  • Themlitzarium
  • Oh_la_la,...oh_la_balancoire
  • Antropophobies & Etholomanies
  • Modus_Vivendi
  • Galeria_dos_Carrancudos
  • Parasites
  • The Good
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
  • 'The Listener (spent the hours of midnight fishing by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand).' Paint on fibreglass, polyester and polyurethane, bamboo, fishing line, lead, rubber boots and clothing. Variable dimensions. LandArt Cascais: Site specific installation at Quinta do Pisão, Cascais/Sintra (PT), 2026
Navigation überspringen
  • Drawing
  • Sculpture
  • Installation
  • Painting
  • Photography
  • Public Art
  • Video
  • Artist’s Books
  • Writing
  • Catalogues
  • News
  • Interviews
  • Essays
  • Biography
  • Collections
  • Links
  • Contact
  • Imprint
Navigation überspringen
  • 2026 The Listener
  • 2026 Entre Seres Laboratory
  • Entre Seres (Display Cabinet) 2026
  • 2025/26 Natural History
  • 2025 Zwischen Wesen - Labor
  • 2024 The Silent Beside
  • The Amber Room MARCO Museum
  • The Language of Silent Things 2024
  • Transformatory (Drawing Laboratory)
  • Inside.Suspended. 2024/25
  • The Intermediate Space 2024
  • Bienal de Coimbra
  • Still/Home
  • Poems 2023
  • 2022 Entre
  • Inside
  • 2022 Transformatory
  • Bijou
  • The Middle Room
  • 2021 Drawing Laboratory
  • Far 2020
  • 2019 Matjö Raum für Kunst Köln
  • 2019 El Silencio cerca de la línea
  • Shadows 2016
  • Ese paciente laberinto 2015
  • The Dormouse Is Asleep Again 2014
  • Papillon 2013
  • Dyssomnia2012
  • Entre el Tiempo
  • The State of Drowsiness
  • Parallel Homeless Landscape
  • 4 Container
  • Drawing Laboratory
  • Silence
  • Zeit Paradies / Paraíso Público
  • Private Panorama
  • Submerged
  • Of Subterranean Life
  • Themlitzarium
  • Oh_la_la,...oh_la_balancoire
  • Antropophobies & Etholomanies
  • Modus_Vivendi
  • Galeria_dos_Carrancudos
  • Parasites
  • The Good